FIRST FIRING OF ANAGAMA Člupek

autumn 2026 preparations | march 2027 firing

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Kiln filled now up to85%

FIRST FIRING OF ANAGAMA IN ČLUPEK

June 2026 - March 2027

It doesn't seem like it, but firing such a large kiln is really a project that lasts almost a year. This is not a course nor teaching, but the first joint firing of the anagama in Člupek, which we have just completed. It took almost three years to build and if one person had worked on it alone (full time), it would have taken him a whole year.

The first firing is always one and only. No other firings after that will be the same. There is not much to say about the firing, only that it will take place. And it will take as long as needed, until the kiln is fired 🙂. We call it “zero firing” because we really have no comparisons and guidelines. Only the first firing sets the starting line. Of course, we have a lot of experience with new kilns and their first firing over many years. So we dare to believe that whatever it is, it will be good.

The exact dates of the individual phases will be specified later. The total preparation time and final firing is estimated at about two weeks. Participation is possible in various ways (see below).

FIRING MANAGEMENT

Petr Toms has been teaching ceramics for over 30 years and is dedicated to building high-fire kilns, of which he has built dozens. Each one is different, responding to the specific needs and intentions of the ceramists and their idea of ​​the final work.

We had the honor of building this anagama together with him and we will also fire it together for the first time. Such a kiln already far exceeds the capabilities of one person, even within the framework of the construction itself.

HOW TO JOIN?

  • Bring your own goods to the firing and have them fired.
  • Bring the goods and get involved in the firing process (cooking, supplying, helping before, during, after the firing, or possibly wood and preparations during the year).
  • Bring the goods and participate in the entire firing as part of the firing team for experienced participants with experience in wood-burning kilns, it is ideal if we have fired some kilns together before, have the “same school” and the like. Firing is simply extremely demanding.

DETAILS ABOUT THE EVENT

You register your goods in advance, via an online form. The goods will be collected on pre-determined dates at the collection point in Prague - Malešice.

Minimum volume: equivalent of 2 full banana boxes (hopefully you get them at your supermarket). We need uniform packaging for further handling of the goods, transport, storage and later pickup. 

Maximum volume: by agreement, even large items can be fired if they pass through the door.

Materials used (must withstand 1350 °C and more): Witgert No. 11 SF40, MA and MAM from Pávka, Dorda, Borovany (BO), Ohnivec from H+K

Glazing upon agreement, in anagama it is assumed that there will be no glazing, but it will be possible to use selected glazes on cellect site, for example for the insides of the vessels. Engobes can be used according to one's own creativity, after prior agreement. The options are as follows and in this order are preferred:

Do not glaze at all and leave the kiln free to do its thing.

Coat only the inside with a thin layer of transparent glaze if you are concerned that the inside will be too dry, or on the contrary, excessive ash coating will not dissolve.

Glaze the entire vessel with shino or feldspar glaze, i.e. with hard feldspar glazes suitable for anagama. Partial glazing is not pretty, it creates uneven surfaces.

Glazing can be done during the goods handover, or we will be happy to give a recipe for the glazes if there are more goods and you want to glaze them at your own studio.

Each piece must be marked with a predetermined "legend":

Author's mark - visible and clear embossed mark on the bottom of each vessel

Clay mark - number, embossed - I recommend taking apart an old typewriter 🙂 and you have great markings forever.

1 - MAM (Pávek) suitable for the front part of the kiln (A)

2 - Ohnivec (HK) suitable for the front and middle part of the kiln (A,B)

3 - Dorda (Pávek) suitable for the middle part of the kiln (B)

4 - MA (Pávek) suitable for the middle and back part of the kiln (B,C)

5 - Borovany (Pávek) suitable for the back part of the kiln (C)

6 - W11 SF 40 (Wittgert) suitable for the back part of the kiln (C)

For zone A, it is necessary to make extremely robust goods that can withstand impact by logs, erosion by ash, etc. Generally, goods have to be really stable for this firing (no extremely narrow bottoms).

Take inspiration from Japanese Iga ceramics, for example.

The material used determines the place in the kiln where the goods will arrive. However, the materials are chosen so that they can end up anywhere in the kiln. We will try to load them all as best as possible, but always with respect to the kiln. Loading is our most powerful tool for regulation.

Without clear and precise legend, we will not be able to accept the goods from you. We will take a picture of the goods upon receipt, set a price, record the author, quantity, type of goods and materials used so that we can load them as best as possible.

PRICES AND PAYMENTS

Payment will be made partly as a deposit upon handover of the goods. The price for ordinary goods and tableware is set at 1400 CZK (58 EUR) per 1 banana box ready for loading, i.e. approximately 15 half-liter mugs. Deposit ber box is 980 CZK (41 EUR).

We use this "loading unit" for loading our kilns, if you are new to us and do not get it, just contact us please for further explanation.

For large items, the price must be set individually per piece based on our estimate. We assume the same price, only a giant vase will easily take up the equivalent of three crates and you would put 30 mugs in the kiln instead. This is the reality of large pieces.

We will collect a deposit of 70% of the total price. We will make the remaining payment upon receipt of the goods after firing.

KDY A KDE

Anagama in Člupek, Člupek 78, Němčice u Litomyšl

June 2026, registration starts

end of September 2026, 1st collection and loading

mid-January 2027, 2nd collection and loading

March 2027, firing, cooling and unloading of the kiln

First come, first served and we select goods until 75% of the kiln capacity is filled.

How and when can I be at the firing?

We understand that many would like to be at the firing as much as possible, but it is a very demanding event to carry out and concentrate on, and it carries a lot of responsibility. The kiln is so large and the entire firing that it is necessary to regulate participation somehow.

Of course, if you are in the service or firing team, you will be participating in everything to the fullest extent.

If you are outside these teams and want to have contact with the firing, and this is very understandable, then individual all-day “windows” will be prepared for you, when it will be possible to come and see how the kiln is loaded (one of the loading days), fired (one of the firing days) and unloaded (the second day of unloading with the possibility of seeing all the goods and taking your own creations away)

CONTACT

Václav Kugler, organization

vaclav@keramikasrdcem.cz

+420 608 658 320

ACCOMMODATION

Accommodation is possible in the Na Nebesích guesthouse, we recommend booking in advance. We can accommodate the implementation team on site. Litomyšl is located 10 minutes from the kiln by car or bus, so it is possible and easy to live there too.

Schedule

June 2026 | registration starts
end of September 2026 |1st collection and loading
mid January 2027 | 2nd collection and loading
March 2027| firing &unloading

Place

Člupek 78 at Litomyšl

Pricing

1400 CZK (58 EUR) per banana box (approx. 15 mugs 0,5 l) Deposit by registration 70% of price, 980 CZK (41 EUR), final payment at unloading

Participants

Until kiln & crew full

REGISTRATION FORM

Collection of goods preferred*

We would like to hand over the banana boxes with the products together at the end of September, is it possible not to hand them over in Prague but directly in Člupek?

Ideally not, the glazes will be available in Prague in the Keramika srdcem II. cowork space in Malešice, during the handover, as planned. However, if there were more people in one place, I could bring the glazes and pick up the products there. In case of large unfired objects, or things that will not be glazed, we can make individual arrangements.

Can you please recommend a transparent glaze? Or a mixture of transparent glazes?

Yes, if there is interest, I can hand over the recipes, they are simple, max. three-component. Transparent seems suitable to me Roudnická RO67 and could be available at sluzbykeramikum.cz.

We would like to make the insides and upper edges/half/splashes of some vessels with some "white/light" glaze...

It is possible, but I recommend either making the entire surface with glaze outside, or not at all. It may happen that with a large impact of the kiln with the coating, the vessel looks disjointed. But if you want to try it, you can. We need the experience with a specific kiln and firing process to answer that question more accurately. And that we will gain by firing the Člupek aganama for the first time.

What about glazing with ash nuka?

It could turn out to be good, but nuka can flow easily and with the added glaze coating it will certainly flow before the ash from firing itself starts settling on the products. From the outcome safety point of view, I would avoid it, but it could be interesting to mix some very hard ash glaze and do some small tests.

What about using shino glazes from AMACO?

I don’t know how it would work in the reduction firing, it could probably turn out a bit soft. These "electric shino glazes" are probably developed to imitate something that works well at a lower temperature, shorter firing and in an oxidizing environment.

What about porcelain engobes?

Yes, it certainly makes sense, I would coat it all over the vessel (just like glazes), otherwise it will make a strange division on the vessel. Feel free to use any engobes, that could be interesting!

Can cobalt or other metal painting be used? With or without glaze?

Iron underpainting under shino is a classic combination, so definitely yes. Cobalt under transparency too. The firing process can make the painting disappear a bit, I would put it in the back parts of the kiln (which means delivering painted ceramics as soon as possible due to the kiln-loading logistics). But definitely yes in general.

I have also heard about "flashing slip" - mixed from kaolin, feldspar and quartz and applied in several thin layers - do you have any experience with it please?

I don't know why in layers but yes I know it, sometimes a little frit is also added to melt it. because what you write is the composition of porcelain, you just make a porcelain engobe as it were :).

We plan to use Ohnivec, Dorda, Witgert W11 SF 40, MA and MAM clays and try various surface treatments (most of it probably without surface treatment). But we would like to think of it as a combination of more clays and more surface treatments to test the possibilities of anagama and to find out what we will like for the next firings.

Definitely try any combinations on the surface, whatever the outcome it will be a nice try!

I am a little worried that the firing might not be successful...

Yes, it is the first firing and I cannot predict the results exactly. But I have experienced many first firings of new Petr Toms kilns and they have always been great. Regardless of the fact that they were not always completely imaginable. This definitely requires an adventurous soul, not a perfectionist that needs it to turn out 100%.